DIARIES & MEMOIRS: COUNTRIES A-Z, Many feminisms, South Korea

[번역본] A Quiet Embrace (조용한 품)

By PAK Jong Hee

A temporary but urgent call to action! Centre of the Web partner Versy Talks is kindly running a free public online debate about the publishing industry from 21st to 31st May 2026. It does not take long to take part in the debate and state your opinion, and everyone is welcome! Sharing your voice will help boost both COTW and Versy Talks. Please help us grow, so that we can platform diverse and underrepresented voices from around the world. More information can be found here.

Inside the fresh green leaves, the ingredients sit quietly, curled up. The pumpkin leaves and cabbage, steamed until tender in a boiling pot, hold their contents firmly, their cheeks slightly bulging. From the outside, there is no way to know exactly what lies within those leaves, but there is a heavy certainty that they have willingly accepted everything. Not a single grain of white rice spills out; everything keeps its place in silence, leaning kindly against one another.

Wrapping a ssam (leaf wrap) is a more delicate ritual than one might think. Depending on which leaf one spreads on the palm and what is placed upon it, the weight and flavor of that single bite change entirely. When the depth of flavor is added by mixing salty soybean paste with spicy chili paste and topping it with a thin slice of garlic, the disparate, unfamiliar ingredients finally find their place, creating an exquisite harmony. Things that might taste coarse or plain when chewed separately come together to fill each other’s voids, highlighting one another’s strengths to craft a new flavor. In this way, a ssam rounds off the jagged edges of each ingredient, tucking them inside to form a solid, whole shape on the outside.

Gimbap is no different. The black dried seaweed (gim) embraces the inner ingredients tightly, never revealing them until the very end. The sharp sourness of the pickled radish, the subtle earthiness of spinach, and even the awkward flavors of leftover side dishes from a holiday—the seaweed silently enfolds them all. It does not question what has entered its embrace; it simply maintains a calm, neat cylindrical form.

My mother made gimbap as if it were her destiny. Whenever there were leftovers from the feast-like meals she prepared for holidays or birthdays, her final grand meal was always gimbap. While the outward appearance was the same every time, the inner ingredients changed with the seasons and occasions. After the holidays, it was filled with leftover japchae and pan-fried delicacies; on birthdays, it held beef and thick egg rolls; on other days, it was packed with various wild greens like water dropwort and thistle.

Before rolling the gimbap, Mother would always crisp the seaweed once more over the frying pan. That meticulous touch, meant to erase any trace of the seaweed’s characteristic fishy scent so her children would not notice, was a silent sincerity—a love that filled the space from invisible places.

My mother’s gimbap was not only special to our family. During my school days, on picnic days, my lunchbox was undoubtedly the most popular among my friends. In front of the gimbap my mother had rolled so skillfully and heartily, my friends would push aside their own lunchboxes. They would huddle around and reach their chopsticks busily toward my container, often leaving me staring at an empty box after having eaten only a few pieces myself. Yet, as I watched my friends marvel and devour it in the blink of an eye, I felt a sense of pride rather than disappointment, even in my young heart.

Inside that delicious gimbap that captured my friends’ palates were actually ingredients with very strong personalities. There were shredded red carrots with a deep earthy scent, and water dropwort with a piercing aroma. Having a weak stomach and a sensitive sense of smell since childhood, I could usually hardly eat foods with strong scents. I would not even point my chopsticks at carrots, water dropwort, or fishy anchovies. Curiously, however, those finicky ingredients became gentle once they entered the gimbap.

Those intense aromas, which usually stood out, never felt out of place. This was because the savory sesame oil seeped between the rice grains and ingredients, breaking down the boundaries of flavor, while the soft, thick egg strips kindly embraced the tough scents of the other ingredients. The process where clashing smells and strong tastes met the gentle mediators of sesame oil and eggs to become rounded and blended—it was a perfect reflection of my mother’s arduous life, raising six siblings who were all so very different.

Though we were born from the same womb, our colors and temperaments were remarkably distinct. My eldest brother, the firstborn, matured early and heavily, weighed down by the responsibility of looking after his younger siblings. Like the thick egg roll that holds the center of the gimbap steady, he silently endured his own weight and served as a reliable shield for us. On the other hand, the youngest was as fresh and free-spirited as water dropwort, tending to go in any direction. The youngest’s stubbornness in seeking freedom and the bickering voices of us siblings in between expanded precariously, like the inside of a thick, uncut roll of gimbap.

In the midst of that fierce difference, to ensure her children did not scar one another, Mother had to become the black seaweed, giving her entire body to hold us together. Just as she applied savory sesame oil to prevent the stubborn carrots and unruly water dropwort from clashing, Mother moved busily between this child and that, becoming a smooth lubricant. She trimmed our coarse hearts with warm, coaxing words and, like sticky grains of rice, patiently glued our jagged edges together.

Always anxious that one of us might go astray or be isolated and hurt among the siblings, she nurtured us with constant care. Even in the exhaustion of feeding and clothing six mouths until her hands and feet were blistered, she never treated a single child with neglect, pulling us all equally into the wide folds of her skirt. The reason that a thick, heavy roll of gimbap—our six siblings—could maintain the shape of a complete family without bursting or scattering was entirely thanks to my mother’s tough and devoted embrace, which endured all the tension and weight from the outside.

Ssam and gimbap do not boastfully reveal their contents. Even if one does not say what is inside, the moment you take a large bite, all the sincerity and harmony layered within are fully conveyed to the tip of the tongue. My mother’s heart is the same. Even without loudly proclaiming her love, and even without trying to show her bent back and calloused hands, I now know that the warmth she created by looking after and comforting us from within has already become the most solid foundation of our lives.

The quiet embrace of ssam and gimbap, which rounded and enveloped so many differences and jagged parts… Thanks to that abundance, we were able to grow up taking sweet, thoughtless bites of something as savory as sesame oil and as soft as eggs, without directly facing the bitter and harsh tastes of the world. Today, I find myself missing my mother’s firm yet warm touch that was pressed into each of those bites, and I find myself sighing with a lump in my throat. And I, too, wish to quietly unfold a wide leaf and offer this touching, tender comfort to someone else who is weary of the world.

COTW journey & strategy

Versy Talks—Centre of the Web sponsored debate: Did the internet really democratize publishing?

Introduction

Centre of the Web (COTW), a new alternative online literary platform, is thrilled to announce a booster event in collaboration with Versy Talks, a complete online debating platform, with community participation, professional debate coaching and tons of debate drills

This debate is titled Did the internet really democratize publishing? It started on 21st May and will finish on 31st May, and Versy is generously sponsoring the debate, offering a $25 prize, divided between 5 debaters with the most votes on their arguments. You can take part for free. 

COTW enthusiastically encourages all its contributing writers, subscribers and readers to take part in the debate during the debate period. This will help with COTW`s mission to contribute to a global revitalization of human literature during this crisis-ridden but epic period of human history, encouraging diverse and underrepresented voices from around the world to share their thoughts and stories all in one place, on a dynamic and globally interconnected platform. This aligns with the purpose of Versy Talks to promote structured debates and insightful discussions, where debaters can explore their commonalities and points of difference, to contribute to a more harmonious online culture.

More on the debate

It has been argued that the internet has democratized publishing so that these days, almost anyone in the world has the opportunity to get heard and read. However, inequalities remain, including who really makes it as a writer, who is widely read, and who is really likely to be picked up by the big publishers. In the sponsored Versy debate we ask: Did the internet really democratize publishing?! We invite debaters to consider how far the internet-led democratization of publishing is an illusion, and how far the same old inequalities that existed in the traditional print publishing of the 20th Century, still exist now. Also, how much is the best or most interesting writing published, compared with what sells, and do authors who are already well-connected still have a massive advantage, as well as those who have internet publishing skills? (Not everyone understands how to manage a blog, for example). All printed media and publishing should be considered within this debate, from newspapers, through blogs, to e-books and physical books and everything else.

COTW call for submissions

COTW would also like to announce that they are actively looking for written contributions from around the world. We currently only publish in English, but eventually we intend to publish in several languages. Contributors are welcome to submit writing in their native language, where we can negotiate translation using AI tools. This is not yet a paying market, but it is a chance for you to get your voice heard, and to receive free editing advice. The bigger you can help COTW grow, the quicker we can get to the point where we can start paying contributors! Flash fiction is encouraged, as are diary pieces, giving insights into the daily lives of diverse human beings, especially (but not necessarily) those living in difficult conditions or going through interesting times. Other types of creative writing are also encouraged, but please note: we are not accepting poetry at this time. Short essays, articles, blog-style posts, journalistic pieces and arts reviews will also be considered. For more ideas, please browse the different post categories by navigating from the WRITING tab in the menu at the top of the COTW frontpage. All submissions should be sent to the editors at the email address: epictomorrows@gmail.com Thanks!

Popular authors, SHORT short stories, South Korea

Tongue

By Hyoungshim Choi

A temporary but urgent call to action! Centre of the Web partner Versy Talks is kindly running a free public online debate about the publishing industry from 21st to 31st May 2026. It does not take long to take part in the debate and state your opinion, and everyone is welcome! Sharing your voice will help boost both COTW and Versy Talks. Please help us grow, so that we can platform diverse and underrepresented voices from around the world. More information can be found here.

The alarm clock went off. “A new day has dawned, rise and shine everyone……” I pressed the switch. I needed to change the wake-up call on that damn alarm. 

—Did he really do that as a joke? No matter how much I think about it, our senses of humor just don’t match. It’s good that we broke up.

I muttered about this to myself as I got up and brewed some coffee. With half-closed eyes I cursorily washed the mug that was sitting by the sink. Apart from the fact that the inside had yellowed from frequent use, it was an ordinary cup. I poured the coffee into the cup. It was the same coffee that I always drink, but today it tasted incredibly bitter for some reason. 

—This is disgustingly bitter. Is it so that even the coffee is bitter just because I broke up with him?

I grumbled to myself as I gulped it down.

—Ah, stop bitching and just drink it. It tastes the same as usual.

Just as the coffee was about to go down my throat, I heard this from somewhere. 

—What the hell?!

I was so startled that I jumped out of my skin. No matter how many times I looked around, I was the only one in that broom closet of an apartment. I looked inside the washing machine, checked that the front door was locked, and even rummaged through the built-in closet. But there was not a single trace of anyone anywhere. 

—Have I been alone so long that I’m hearing things? 

It made sense, though, come to think of it. I had been stuck at home for four months now due to Covid, after all. When I first heard that I had to work from home, I cheered, just like anyone else would have. I wouldn’t have to listen to assistant manager Kim’s cheesy, cringe-inducing jokes, nor hear the shrill voice of my team leader, who was extremely irritable from all the sleepless nights taking care of a newborn baby.

However, I was disillusioned pretty quickly. Video conferences on Zoom and the like that were so boring they made my butt cramp, and the KakaoTalk (1) notifications coming through all the time under the pretext of attendance management, weren’t actually a big deal. Living alone in this cramped studio apartment for months on end without ever leaving is practically like solitary confinement. It got to the point where I even started missing the people I hated seeing! I decided to go to a cafe to get some work done for a change of scene, but the number of confirmed COVID-19 cases began exceeding 1,000 on a daily basis. Eventually, the cafe I was visiting closed down. As the number of confirmed cases surged, I started shopping online, too. As a result, I came to rely on online platforms for most of my daily requirements. 

Eventually, it got to the point where I was breaking up with my boyfriend through KakaoTalk. As soon as I saw the message that began, “If it weren’t for COVID, I’d like to meet and talk……”, I sensed that we were breaking up. I sent a reply saying, “Okay. Let’s stop seeing each other.” A long message followed, in which he rambled on about how we weren’t meant to be, told me to find someone better, and so on. I didn’t reply and coldly blocked him. Thanks to working from home, or to being confined at home, we ended things neatly and cleanly, so I should have been relieved, but I didn’t feel good at all.

I felt utterly terrible.

After finishing my coffee, I was at the sink, stirring my finger inside the cup to rinse it, when I felt something bulging out. Wondering if a grain of rice or something might have somehow gotten stuck, I looked inside the mug. However, there was something reddish rising on the white porcelain.

—What the …? 

I scratched the inside of the cup with my fingernail. 

—Ouch, I’m going to get hurt. Try to be careful. 

Right then, the voice I’d heard earlier came from out of the cup. I was so startled that I dropped it on the floor. 

—Hey, have you lost your mind? You almost broke me. No wonder you got dumped by a man. 

I was completely dumbfounded. 

—You’re only just a cup……. Who taught you such bad manners?

—Who else but you? Who’s the one who’s been talking all kinds of nonsense right in front of me every day? If I had ears, they’d have already rotted away by now.

Come to think of it, as working from home had gone on, it’s true that I had spent the days mumbling to myself the whole day with this cup in front of me. This symptom worsened especially after breaking up with my boyfriend. In the days following the breakup, I grumbled about him nonstop, pouring out curses at my cup. No wonder, since there were no cafes open even if I wanted to meet people, and since I didn’t have a friend to vent to at a time such as this……. All day long, the only things I faced were my computer and my mug. If my computer was what spoke to me, then my mug existed for me to speak to. While drinking water, while drinking coffee, I was in the habit of talking to the mug as I muttered to myself. 

—You should have just left me alone. How much pent-up frustration must I have had to have grown a tongue? 

the cup said, sighing. Hearing this, I felt sorry. Without a word, I took out a soft tea towel and carefully cleaned the cup before putting it back in the cupboard.

After that, I occasionally thought about the mug, but I never opened the cupboard. This was because I didn’t want to exchange a single word with that irritable, insolent, manners-nowhere-to-be-found jerk. Moreover, a cup with a tongue sticking out of it creeped me out so much that it just didn’t feel right to put anything in it to drink. Of course, I did think about throwing that strange thing away. But considering its personality, it was clear that if I threw it away it would blabber all sorts of things about me to anyone, so I decided to just put up with it. So I swapped my cup for a tumbler and strove to break my habit of talking to myself. I felt like I was going crazy keeping my mouth shut while just staring at the computer screen all day. But what could I do? I had to just suffer. 

—Give me some water.

It was about 2 in the morning when I heard that voice. I had finally fallen asleep after tossing and turning since 10pm, having developed insomnia due to a lack of outdoor activity. I covered my ears with the pillow and pretended I hadn’t heard. 

—Hey, I said I’m thirsty. Can‘t you hear me? 

That jerk goaded me again. It piqued my irritation. 

—Let me just sleep.

I sprang up, opened the cupboard, and shoved a tea towel in the cup. 

—What are you doing? I said I’m thirsty, thirsty! Take this thing out of me right now.

—Don’t be ridiculous. You think you’re human just because I talk to you. You’re so loud it’s driving me crazy.

I went back to bed and tried to sleep. As soon as I did, the jerk quietened down. I’d just dozed off when his sudden screaming jolted me awake. My heart was pounding. 

—What’s going on?

—I can’t breathe! Get this damn tea towel out of me.

—Ah, seriously, you’re so loud. You’re making a fuss over nothing. Do you know what time it is right now? Just be quiet. 

—Be quiet? Won’t you come over quickly and get this out of me?

—I don’t care.

I spat this out, rummaged through a drawer, pulled out a pair of earplugs and put them in, then victoriously went back to bed. But then he screamed breathlessly, at a high pitch of about two and a half octaves above normal, like a dying soprano singing a climax.

I could hear him screaming through the earplugs. 

—This is suffocating me! I said I’m thirsty!

Since the jerk wouldn’t stop screaming and raising hell, in the end I got up again and irritatedly opened the cupboard.

—This damn cup, I’ll just…… 

I picked it up and hurled it against the wall. The cup shattered with a crash. 

—Ow, I’m dying! I’m dying! 

he screamed in what seemed to be one last desperate struggle, before suddenly falling silent. At that very moment, the doorbell rang.

—Police! We’ve had reports of a domestic disturbance. 

The police, in the middle of the night! This is all because of that jerk! As annoying as it was, the problem at hand now was coming up with an excuse. 

—But what in the name of God should I say? 

I asked myself, into the wall. 

—What do you mean, what should you say? Just tell the truth. 

Out of the blue, the wall replied. I looked to face it in shock. This time, exactly where the cup had hit, a really huge tongue had sprouted. 

—Ah, seriously! Who would believe that!

I felt like I was going to lose my mind with anger and frustration. But I resolved to control myself and open the door. 

—What seems to be the problem? 

Two officers wearing black masks were standing in front of the door. I hesitated, not knowing how I should begin. Since they had eyes, I figured that if I just showed them that thing then they would understand the ridiculousness of the situation.

—Do you see that over there? The big tongue. It was originally in that cup down there. 

I pointed to the shattered cup on the floor, and the large tongue that had hung limply from the wall since the police showed up. 

—A tongue? What do you mean, a tongue? 

one of the police officers asked, looking back and forth between me and the wall. 

—You don’t see that tongue there? That tongue…. 

***

1. KakaoTalk: Korea`s most widely used chat app

Reflections, South Korea

The door called the organization

By Kim Ja-heun

Human relationships are like that. When people gather, whether they like it or not, they must open their mouths to speak. You have to reveal words that could have remained hidden, and you must listen to words that would have been irrelevant had they gone unheard. Furthermore, in any gathering of an organization, words inevitably pour out—this way and that. As the mass of the organization grows, the volume of words swells, branching out in every direction.

Even on a single agenda, conflict arises because thoughts differ. It is not a matter of “This is my thought, what is yours?” but rather an attempt to inject one’s own beliefs into others: “My thought is right, so why is yours like that?” It would be ideal if conflicting opinions reached a consensus, but when they don’t, the situation escalates into raised voices and flushed faces. When the clash is over petty interests rather than a grand cause, a sense of self-reproach washes over me as I watch, listen, and participate: Good heavens, why do I even have to be here? It feels like a homework assignment where the distinction between right and wrong will never reach a resolution.

Yet, I also realize that the opinions each person puts forward can be interpreted as a desire to do things well. If a few say one thing but the majority says another, it could be that the majority is right. When opinions are expressed, synthesized, and deduced to create something new, the resulting conclusion might return as a different kind of vitality.

Late at night, returning home through the pouring rain in Gwanghwamun, a junior colleague who lives in the same direction and I got into an extension of the meeting’s debate on the subway. My junior argued that the activities of the Self-Discipline Committee are ultimately political and that we must, therefore, increase our influence through numbers. To be honest, I couldn’t actively agree. My conviction is that a writer’s political expansion should be expressed through their writing. As political assertions clashed with my professional philosophy, the junior—who seemed to be from “Venus”—exclaimed, “Ah, senior, you’re being frustrating again!” I, coming from “Mars,” grew weary of the same problems repeating and closed my tired eyes, saying, “Hey, let’s just stop now.”

***

On a day like today, I feel an immense fatigue from belonging to an organization. Is it regret, or perhaps a realization? I think to myself that if I hadn’t joined this organization in the first place, I wouldn’t have to deal with this bitter energy on my way home so late. I realize once again that I am, by nature, ill-suited for the confines of an organized framework.

Closing my eyes, I sink into thought. I wonder, as my junior poet said, how a senior writer who is respected should behave. And is that junior, who says such things, behaving correctly as a senior respected by their own juniors? While pondering what human relationships are all about… I eventually lean toward the positive: Yes, this is all just everyone trying to do their best!

They say that as you get older, you should keep your mouth closed and your wallet open. Since I am not in a position to gallantly open my wallet, I suppose I should act my age by simply keeping my mouth firmly shut.

DIARIES & MEMOIRS: COUNTRIES A-Z, England

Building Silent Haven: Introduction & Chapter One

INTRODUCTION

I come from a background where feelings and needs were not discussed, leaving me somewhat in the dark as to who I was and what I needed in life. I did know quite clearly from an early age that art was a major source of joy and comfort and this was my saving grace. In adulthood I was unconfident and unsure about my choices but assumed that if I worked hard I could become a well known artist. I used to have visions of living in an exclusive apartment in New York and having shows in major galleries. Finding that I had major obstacles to this route, (I hated being out there and doing publicity, or talking about money for my freelance art commissions, for example) I lived frugally and just made art. Over the years the pressure built up, my choices of environment were very limited and this made me ill. I had no idea I had inner cravings for a natural way of life let alone how to achieve it. Eventually, the dam burst and the river flowed out freely but not in the way I expected. Looking back, the journey that I went on was so much more in tune with who I am and what my needs are. This journey was much more nourishing than I could ever wish for. In a labour of love, the idol that took shape came to be known as Silent Haven. 

CHAPTER ONE

In 1963, when I was five, my parents, brother and I moved from the home I was born in, in Yorkshire, to Leicester. The house was newly built and there were no other houses surrounding it; it was surrounded by open fields and felt spacious. That didn’t last. Houses were being built around us. My fondest memories were the first few days as the electricity and gas hadn’t been connected yet. It had a significant impact on me, and I remembered this when my partner and I started building the cabin at Silent Haven. There was no time to get the furniture in place before dark, so we all slept on mattresses on the floor in the lounge. My mom made food on a little camping gas stove, and we burned candles. There was a fireplace, and we lit a fire. I loved it. It was atmospheric; we were in it together, camping, surviving, basic and connected in this marvellous adventure. 

That was one of the best nights I ever had in that house. Then this chaotic but casual and relaxed atmosphere began to disappear. The electricity and gas were turned on so the cooking was done in its proper place in the kitchen, with food being eaten at the table. My spirits sank when the beautiful warm and exciting hub of the house got filled up with an ugly gas fire and I don’t think they ever recovered. The place just wasn’t the same after that and it felt like neither were the relationships. After that first night it was back to the frosty barrier of my brilliant, but controlling and frightening mother. I thought my upbringing was normal until years later when my school friend Claire said my mother ‘ruled me with a rod of iron’. My dad provided relief by cracking silly jokes and making me laugh, but anything emotional was immediately swept under the carpet.

The house sat in a lovely woodland garden. I loved the feeling of the trees surrounding and protecting us on two sides and how beautiful they were but we were on the corner plot, and it was otherwise very open. As the other houses were being built I retreated in doors more and more as I was painfully shy. My parents were about the only people in the neighbourhood who wanted to keep their trees; everyone else must have thought they were a nuisance, because they were getting cut down. I only realised after doing a session of eco-therapy at university, how disconnected I had been from the earth —this was until I bought Silent Haven, this land that quenched a long period of dehydration. 

After the electricity-free night in my new childhood home, I asked for a paraffin lamp as my bedside lamp. Stepping back into my inner child’s shoes, I feel I was responsible enough to have one. Of course, the answer was no. The compromise was a fake paraffin lamp, with a fixed key I could pretend to turn to raise the light level and a removable bowl. I loved that lamp nevertheless.

***

My childhood lamp

***

My parents were very creative and resourceful, and this is the thread for my way of life. I decided to become an artist at the age of 12. Fast forward to 1977, at the age of 18 I spent a year doing an Art Foundation Course at Leicester Polytechnic. It was situated in a beautiful old school. My dad would take me early before anyone else got there so I had time to adjust my hair and my make-up. The course consisted of all kinds of art: life drawing, sculpture, oil painting, illustration, photography and textiles. I loved it and wanted a degree in all these subjects but I had to choose one subject. I chose Graphic Design, I think because that was the most likely to make money. My grandparents were from a poor mining background and that was still in my system.

***

Metamorphosis, 1977

***

I left home in 1978 at aged 19 and went to St Martin’s School of Art in London and lived in Ralph West Hall of Residence for the first year, just beside Battersea Park. I loved the communal living. Although I had art as a meditation, I was on a destructive path of depression, drinking, smoking and experimenting with different types of drugs. I had been brought up in a household where, although I had many physical privileges, which I was grateful for, my mother had been in control of my life and on moving to London, I suddenly had complete freedom yet didn’t know who I was. I was trying to make sense of my world but was vulnerable and without boundaries. I was also extremely sensitive to noise and I didn’t realise this. Certain noises deeply triggered me, but at that time I didn’t know what they were. The drugs and alcohol numbed the fear. 

By Jules Smith