FLASH!, Many feminisms, Popular & established authors, USA

Bonanza keep digging

By Nina Hart: This story originally appeared in the book of short stories, Somewhere in a Town You Never Knew Existed Somewhere

Bonanza was a scary girl, all backwards in her thinking. Five years old and she didn’t like anyone. No-one liked her either. She often wondered which came first, did she like no-one and then did no-one like her, or was it the other way around?
“Shut up and keep digging,” cried her mother, while Bonanza was busy burying the bony remains of her ten last, best and only friends. “Shut up and keep digging,” mouthed Bonanza in a sour, mocking voice, hoping her mother didn’t hear but secretly wishing she would. Bonanza was digging and stacking, digging and stacking, and burying her little toy dolls, one on top of another, digging and stacking and burying them all in the backyard.
“There goes Frances,” she said, one by one patting them on the soft tops of their heads. “Little Limp Suzette, Astrid, Lingafore, Penitence, Rye Bread, Amber Ocean with the Amazing Marble Brown Eyes, Lori Fred the Beast, Marmalade.” And then there was The Ancient One, who kept bobbing her loose plastic head back and forth, stacked flat on her back on top of Marmalade, in the ruddy brown dirt. “Stay still,” said Bonanza through stinging tears.
These were the days of no return. Her mother was right. If she couldn’t be a friendly, polite girl, then she would be liked by no-one. And so it was that her mother, with resounding voice, descended heavily down the porch stairs, thick ankled, to the backyard to supervise Bonanza’s burial of the word F-r-i-e-n-d-s-h-i-p.
All the summer light grew dim, darker, until Bonanza was just a small speck of dust beating away at the backyard air, then, her self, buried. Fell in with the rest of them. Fell right flat on top of The Ancient One.
Ecology of the absurd, Many feminisms

Cryptic episode

Two animals circled each other in love and hate. One of them was wild and one obsessively tame. The wild one started to see danger everywhere, fear and aggression artificially heightened when she became aware that her kind was threatened. The tame one encouraged her into a cage, but only, or so he thought, because it was a cage where she might rest and ingest calming substances and sentences in safety, so as not to explode her brain. Because the tame one had been so hurt by her exaggerated wildness, and he saw that the wild one had hurt herself too.

The tame one picked a tarot card, and it read, ‘La Force’ which gave him the strength to encourage the wild one to stay in the cage. A few days later he picked another card, ‘Roy de baton’ which helped him to adopt the role of a just and kind father, or so he thought. He spoke soothingly through the bars of the cage:

‘This will make you stronger, so that you may fight for the survival of your kind’ he told the wild one, his enemy and lover, and she understood, or so he thought. Secretly she used her restrained wildness to hatch a plan to undo her lover’s tameness. Ultimately, it was her wildness that was the stronger force in both of them.

Originally published in the Schemattic digital garden.

AI Tomorrows, DIARIES & MEMOIRS: COUNTRIES A-Z, FLASH!, Many feminisms, Reflections, South Korea

The Woman Not on Any List

by Jo Eunyoung (South Korea, poet)

“Noblesse Matchmaking — we find you the partner you deserve.“

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Even past forty, matchmaking agencies still send me messages. Maybe I’m still on their list of women who haven’t — or couldn’t — marry. Maybe it’s just an automated system firing into the void. Either way, I feel two things at once: a small admiration for their persistence, and a faint irritation at still being considered a target. I never delete the messages immediately. I leave them there for hours, as if one day even this might begin to feel urgent.

One day, a younger colleague leaned in close, as if sharing classified information. “Unni, I actually met my husband through a matchmaking agency (gyeolhon jeongbo hoesa: Korea’s paid marriage brokerage service that scores and ranks members by age, education, income, and appearance). You should try it too — I worked really hard at it.” She believed she was doing me a favor. The story of their fated, romantic meeting had apparently been constructed overnight — a tidy narrative designed to erase the fact that it had started with a checklist.

It’s not that I never tried. I dated steadily, loved recklessly. I was a bitch to some and an angel to others, just as certain exes were to me. I broke up and started over, again and again, and somewhere in that repetition, time slipped away — “hulsseok”(the sound Koreans make while swallowing tears).

People offered what they called gentle advice. You studied too long. You were too focused on work. They followed this with their own marriage success stories. A question rose in my throat — so are you actually happy?— but I swallowed it every time. I didn’t want to come across as the bitter unmarried woman, sneering at other people’s choices.

What they said always sounded less like advice and more like self-reassurance: that raising children is nobler than any career, that some men feel burdened by women who think too much, that love is fine but marriage is reality. I listened and nodded. You’re doing so well. I’m honestly envious. It was the kindest thing I could offer.

They say marriage is a choice now. But most people I know — born, like me, in the 1980s — didn’t quite choose it or reject it. They simply married, the way you do things when that’s just what’s done. A small number of us didn’t. Not entirely by choice, but not entirely by accident either. I live in the gap between those two worlds, and sometimes it’s hard to breathe.

I had actually joined that agency years earlier. Even then, in my mid-thirties, I was categorized as high-risk — too old for safe childbirth, too educated to be appealing. My PhD was a liability, they said; men worried I might correct them. They suggested I list only my bachelor’s degree. Still, they found reasons for optimism: I looked younger than my age, I wasn’t overweight, and my voice was soft and pleasant.

Suddenly I was a product approaching its expiration date. A new agency promised AI-based matching, as if intimacy were a logistics problem. When I saw the ad, I thought: I’ve walked into the wrong place entirely.

This isn’t where I belong. Run.

An unmarried woman in her forties. Neither young nor old. Studying literature. On television, forty-something single women are always successful — corner offices and sleek apartments. The term gold miss (a glamorous, financially independent single woman) comes from that image.

But I can’t claim the gold. My degree didn’t translate into salary. I spend my nights revising poems, asking myself: will I ever publish a collection? Will I become the poet I want to be? I am, by most measures, badly out of step with this era.

I can’t join my friends’ conversations about stocks, real estate, their children’s tutoring costs, the latest housing policy. I’ve grown a little strange, just as they predicted. The future still frightens me, but I’ve stopped chasing someone to make that fear quieter. That’s left me lonelier in some ways.

I’ve also stopped obsessing over my weight. I prefer streets with trees to streets with people. I’ve started to understand why middle-aged people photograph flowers. I have no children, but I tend my writing with the same careful attention — softly, gently — and I love it deeply. I take care of myself. I protect my small world.

Then I heard that younger Koreans had coined a term for people like me: yeong-poti (Young Forty: started as a compliment for energetic forty-somethings, now a slur for those who refuse to act their age). I checked myself against the criteria. I don’t wear streetwear brands. I have no money to spend chasing younger company. I didn’t buy property cheaply and profit from rising prices. I wasn’t even pretending to be young. I’ve just never quite grown up, if I’m honest.

In the marriage market: not on the list. Among the targets of generational contempt: not on that list either. Nowhere do I fit neatly into the available categories. For a while, I shrank under the weight of that. The world says it has changed — women’s rights, feminism, marriage as personal choice. In some ways, yes. But I still have one foot in a world that sees my life as a problem, and one foot in a world that has no name for what I am. Too hot, too cold. I move between them, belonging fully to neither.

I live alone. I cook for myself. I write. I handle each poem the way you’d handle something you love — carefully, then carelessly, fighting with it, making up with it, coming back to it again. Sometimes someone looks me in the eyes first, and there is warmth. Not fire, but warmth. Somewhere between the cold bath and the hot one, in that lukewarm in-between place — that’s where I am.

DIARIES & MEMOIRS: COUNTRIES A-Z, Many feminisms, South Korea

[번역본] A Quiet Embrace (조용한 품)

By PAK Jong Hee

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Inside the fresh green leaves, the ingredients sit quietly, curled up. The pumpkin leaves and cabbage, steamed until tender in a boiling pot, hold their contents firmly, their cheeks slightly bulging. From the outside, there is no way to know exactly what lies within those leaves, but there is a heavy certainty that they have willingly accepted everything. Not a single grain of white rice spills out; everything keeps its place in silence, leaning kindly against one another.

Wrapping a ssam (leaf wrap) is a more delicate ritual than one might think. Depending on which leaf one spreads on the palm and what is placed upon it, the weight and flavor of that single bite change entirely. When the depth of flavor is added by mixing salty soybean paste with spicy chili paste and topping it with a thin slice of garlic, the disparate, unfamiliar ingredients finally find their place, creating an exquisite harmony. Things that might taste coarse or plain when chewed separately come together to fill each other’s voids, highlighting one another’s strengths to craft a new flavor. In this way, a ssam rounds off the jagged edges of each ingredient, tucking them inside to form a solid, whole shape on the outside.

Gimbap is no different. The black dried seaweed (gim) embraces the inner ingredients tightly, never revealing them until the very end. The sharp sourness of the pickled radish, the subtle earthiness of spinach, and even the awkward flavors of leftover side dishes from a holiday—the seaweed silently enfolds them all. It does not question what has entered its embrace; it simply maintains a calm, neat cylindrical form.

My mother made gimbap as if it were her destiny. Whenever there were leftovers from the feast-like meals she prepared for holidays or birthdays, her final grand meal was always gimbap. While the outward appearance was the same every time, the inner ingredients changed with the seasons and occasions. After the holidays, it was filled with leftover japchae and pan-fried delicacies; on birthdays, it held beef and thick egg rolls; on other days, it was packed with various wild greens like water dropwort and thistle.

Before rolling the gimbap, Mother would always crisp the seaweed once more over the frying pan. That meticulous touch, meant to erase any trace of the seaweed’s characteristic fishy scent so her children would not notice, was a silent sincerity—a love that filled the space from invisible places.

My mother’s gimbap was not only special to our family. During my school days, on picnic days, my lunchbox was undoubtedly the most popular among my friends. In front of the gimbap my mother had rolled so skillfully and heartily, my friends would push aside their own lunchboxes. They would huddle around and reach their chopsticks busily toward my container, often leaving me staring at an empty box after having eaten only a few pieces myself. Yet, as I watched my friends marvel and devour it in the blink of an eye, I felt a sense of pride rather than disappointment, even in my young heart.

Inside that delicious gimbap that captured my friends’ palates were actually ingredients with very strong personalities. There were shredded red carrots with a deep earthy scent, and water dropwort with a piercing aroma. Having a weak stomach and a sensitive sense of smell since childhood, I could usually hardly eat foods with strong scents. I would not even point my chopsticks at carrots, water dropwort, or fishy anchovies. Curiously, however, those finicky ingredients became gentle once they entered the gimbap.

Those intense aromas, which usually stood out, never felt out of place. This was because the savory sesame oil seeped between the rice grains and ingredients, breaking down the boundaries of flavor, while the soft, thick egg strips kindly embraced the tough scents of the other ingredients. The process where clashing smells and strong tastes met the gentle mediators of sesame oil and eggs to become rounded and blended—it was a perfect reflection of my mother’s arduous life, raising six siblings who were all so very different.

Though we were born from the same womb, our colors and temperaments were remarkably distinct. My eldest brother, the firstborn, matured early and heavily, weighed down by the responsibility of looking after his younger siblings. Like the thick egg roll that holds the center of the gimbap steady, he silently endured his own weight and served as a reliable shield for us. On the other hand, the youngest was as fresh and free-spirited as water dropwort, tending to go in any direction. The youngest’s stubbornness in seeking freedom and the bickering voices of us siblings in between expanded precariously, like the inside of a thick, uncut roll of gimbap.

In the midst of that fierce difference, to ensure her children did not scar one another, Mother had to become the black seaweed, giving her entire body to hold us together. Just as she applied savory sesame oil to prevent the stubborn carrots and unruly water dropwort from clashing, Mother moved busily between this child and that, becoming a smooth lubricant. She trimmed our coarse hearts with warm, coaxing words and, like sticky grains of rice, patiently glued our jagged edges together.

Always anxious that one of us might go astray or be isolated and hurt among the siblings, she nurtured us with constant care. Even in the exhaustion of feeding and clothing six mouths until her hands and feet were blistered, she never treated a single child with neglect, pulling us all equally into the wide folds of her skirt. The reason that a thick, heavy roll of gimbap—our six siblings—could maintain the shape of a complete family without bursting or scattering was entirely thanks to my mother’s tough and devoted embrace, which endured all the tension and weight from the outside.

Ssam and gimbap do not boastfully reveal their contents. Even if one does not say what is inside, the moment you take a large bite, all the sincerity and harmony layered within are fully conveyed to the tip of the tongue. My mother’s heart is the same. Even without loudly proclaiming her love, and even without trying to show her bent back and calloused hands, I now know that the warmth she created by looking after and comforting us from within has already become the most solid foundation of our lives.

The quiet embrace of ssam and gimbap, which rounded and enveloped so many differences and jagged parts… Thanks to that abundance, we were able to grow up taking sweet, thoughtless bites of something as savory as sesame oil and as soft as eggs, without directly facing the bitter and harsh tastes of the world. Today, I find myself missing my mother’s firm yet warm touch that was pressed into each of those bites, and I find myself sighing with a lump in my throat. And I, too, wish to quietly unfold a wide leaf and offer this touching, tender comfort to someone else who is weary of the world.

Japan, Many feminisms, Popular & established authors

Women

By Kana

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Women.

The time has come to rewrite history and embrace a brighter future.

Break free from the values that were instilled in you by your mothers.

Do not confine yourselves to the role of consumers.

Gather information, think critically, and rise up through your own strength.

If you understand the needs of society and put them into practice, supporters will surely emerge.

Although Japan continues to rank lowest among the G7 countries in the Gender Gap Index,

in 2025, Japan welcomed its first female prime minister.

This event will inspire women to envision themselves as leaders,
and will grant men the ability to listen to women’s voices.