Featured blogs, sites & lit works, Popular & established authors, SHORT short stories, South Korea

A Fridge Named Deprivation

By Hyoungshim Choi

Knock, knock, knock. Exactly three times. This is what you have to do to get the fridge to ready itself for conversation. It must have been white originally. But now it’s an outdated model, like an old woman, covered in blotches like liver spots and freckles. With its yellowish tint it resembles a yokel from the country, totally devoid of sophistication. Flush against the stained wallpaper, it looks like a built-in wardrobe that’s been part of this shabby gosiwon (1) from the start.

First, I scan my surroundings. No one’s about. I place both of my hands on the middle of the fridge’s door. It’s a little cold. That means it’s running quite well. Following this ritual, I open the door a crack and shut it again. Then, I greet the fridge a tad overdramatically.

–Hey, babe!

Whir, whir, whir. The fridge hums three times in a staccato rhythm. That’s the signal that it’s ready. A smile quietly forms on my face. As I wait for it to ease open, I reach up and touch my chin. My stubble feels coarse.

–Got chased for the rent again today, huh?

The fridge clicks open and immediately sours my mood with its sudden opening remark.

–Says who?

–I’m a refrigerator. Do you think I haven’t noticed you stocking up on beer when you have money and opening and closing the door empty-handed when you don’t? It’s not like I just met you.

–So what?

My blunt tone shuts it up for a moment.

–By the way, don’t you think there are more ants in the communal kitchen these days?

I change the subject. Instead of replying, the fridge emits a single whir.

–I don’t know where they’re coming from. Strangely enough, it feels like more and more are spawning out of nowhere.

–Ants need a home, too, I guess.

The fridge’s words make me think of room 201. That room has been vacant for a little while now. I heard that the guy was six months behind with the rent. Then one day he was not to be seen, and a few days ago the superintendent came and took his belongings away. Not that there was much to clear out––just enough to fill two large boxes and a few black garbage bags.

–Where do you think the guy from 201 went?

I ask. The fridge hesitates.

–He probably found another place.

–A guy who couldn’t even afford rent?

–There might be a place where he doesn’t have to pay rent anymore.

I stare at the fridge, dumbfounded.

–And where is such a place?

The fridge doesn’t reply. I nearly lose my grip on the handle.

–Oh… Oh…

The fridge door threatens to shut. With all its strength, the fridge lets out a whir. Startled, I grab the door as it’s closing. For as long as we’re talking, I have to keep a respectful hold of this guy’s doorhandle.

–Be careful. If you keep doing that I won’t speak to you again.

The fridge pretends to sulk.

–Whatever. This is because it’s getting hard to hold you since you’re growing fatter by the day. What are you keeping so much of inside?

–Hmph! Have you contributed anything to my expanding waistline? What do you think you’re doing, moving the occasional couple of beer cans in and out of me?

The fridge huffs out a sharp blast of cold air. Finding the spectacle ridiculous, I laugh and take out the last can of beer.

–Actually, I need to find somewhere, too. Not a gosiwon like this, where even one person feels cramped lying down.

–Why?

–My girlfriend said she has nowhere to go.

The fridge is quiet for a moment.

–Then come to me. One can just live here.

I laugh.

–How’s a human supposed to live in a fridge!

It doesn’t reply.

At that moment, I hear the thud of approaching footsteps. The fridge suddenly turns cold. We close our mouths nearly at the same time, it’s difficult to tell who is first. I quickly grab my beer and close the door. I give the fridge a discreet nod in parting. As if to say it got it, the fridge buzzes three times again: whir, whir, whir.

It’s a shame, I feel, that my chat with the fridge was so suddenly cut short. Nonetheless, I head to my room as if nothing happened. I briefly exchange glances with the man emerging from the narrow corridor. His sweat-soaked shirt smells like cheap cologne. I quickly open the door to my room, which is in front of the communal kitchen. Behind me, I can hear the sound of the man opening the fridge.

I lay down on the bed and close my eyes. At that very moment, my phone rings.

–Baby, what about the house you said you were gonna look for?

Without so much as a hello, my girlfriend brings up the house first thing. Her voice pronouncing the word “house” through the receiver is a jagged point that stabs me straight through the heart. I feel my body curl up strangely.

–Do you really have to call me at this hour just to ask about the house?

–I really have nowhere to go now.

At those words, I close my eyes for a moment.

–Once I find work again I’ll chip in with the rent. For now, you should do the looking.

I know it. She’s not asking for some sort of luxury apartment. Even a single room would be fine; she just doesn’t want to be kicked out of places anymore. But I don’t even have that money, enough money to get that one room.

–I’ll ask my mom tomorrow if she can help out a bit.

At my reply, she lets out a sigh and hangs up without a goodbye.

The next morning, as I leave the gosiwon for my part-time job, where I work twice a week, I call my mom.

–What?

She asks sharply, annoyed. I falter a few times before finally speaking.

–Mom, the thing is…

But I fail to bring myself to speak about the house. Mom says she got burned by hot soup while working at the restaurant, so for the time being she’ll have to take some time off. I roll the word “house” around in my mouth and then finally swallow it.

I hang up and light a cigarette. At that moment, my girlfriend calls. I don’t answer. The phone keeps on ringing. It keeps on ringing. At some point, it begins to sound like “house, house, house”. I cover my ears, feeling like I’ll be driven mad by it. With every ring, it feels as if my body is being pulled bit by bit. As if my arms are shortening and my legs thinning. Finally, I decline the call. I stub out my cigarette and hurry off to work.

On my way home from work, in front of the gosiwon, I run into the situation I’ve been wanting to avoid. Over the past few days, my girlfriend has grown noticeably gaunt.

–Why didn’t you answer my calls?

She is absolutely seething.

–I couldn’t even bring it up with my mom.

–Why?

–She got hurt.

–So?

–Please just give me a little more time.

One corner of her mouth twists.

–How much longer do I have to wait?

I can’t reply. She looks up at the gosiwon. Then, she lets out such a heavy sigh that the ground seems to give way. I can’t utter a single word.

–But there are so many houses in the world…

Her gaze moves to the large apartment complex across the road. The word “house” lands heavily on my shoulders, with a thud. Simultaneously, my heart tightens. House–I flinch and recoil at the word.

–Why can’t you find just one lousy house!

She shouts tearfully. House–this time, the word makes my toes curl up in my shoes.

–That damn wretched house, house, house!

Her voice engulfs me like a hurricane, and, like ripping off a roof, wipes out the insides of my head. I become useless, a hollow house with no roof. My knees buckle. She stops talking.

–My God, babe…

She looks down at me.

–You just… shrank!

I open my mouth to reply. As I do, she takes a step back. She speaks in a trembling voice.

–Have I lost my mind over this house problem? Why have you suddenly got small?

With those words, I get smaller once again. Seeing this, she takes a few more steps back. She then shrieks and runs away down an alley. Click-clack, click-clack… Her footsteps resound strangely. House, house, house… It seems like I’m the one who’s lost his mind. As her footsteps recede into the distance, I shrink even further. I reach out my hand and try to call her. But my fingers have already become as small as a young child’s. I want to erase the word “house” from my head. But it keeps playing in an endless loop. Before I get any smaller, I start scrambling up the gosiwon stairs. With every step I climb, my body gets markedly smaller. By the time I manage to get to the top, I’ve shrunk to the size of an ant.

Panting, I head to the communal kitchen. I stand in front of the fridge. I knock exactly three times. Knock, knock, knock. A moment later, the fridge hums three times: whir, whir, whir. I’m relieved.

–You’re back.

A voice greets me, seemingly welcoming, as the fridge opens slightly.

–I… I’ve suddenly got really small.

–Glad you’re here.

–Huh?

I told you before, if you need a home you can come to me.

I look up at the fridge.

–Is this a home?

The fridge doesn’t reply. Instead, it opens its door wide. Spread out before me is a massive city of cylindrical beer-can towers and sliced-bread buildings.

–Come on in.

Hesitating briefly at the fridge’s words, I then start to climb the steep steps within a gap in the worn rubber door seal. Cold air envelops my entire body. When I reach the top of the stairs, I’m out of breath. As I’m about to catch my breath, a bunch of people begin murmuring behind a tower of beer cans.

–Did someone new just arrive?

I’m so startled I’m almost frozen to the spot. Right then, someone taps me on the shoulder. I turn around to see a familiar face smiling at me.

–You…

It’s the guy who used to live in room 201. He smiles as he steps aside. Under the bright lights inside, a group of people are waving at me. Just then, the door slams shut, and the fridge gives out a small, soft whistle-like sound, whirr…

1. Gosiwon: A form of inexpensive housing in South Korea, typically consisting of tiny single rooms with shared kitchens and bathrooms. Originally intended for students preparing for competitive examinations, gosiwons are now widely used as low-cost accommodation by students, workers, and others living alone.

Modern poetry is anarchism, South Korea

Shave

By Seonku Yang

My father’s chin
was a wall covered with moss.

Father,
the moss is drying.

You can rest now.

“Everything changes.”

My father’s words
quiver between cracked bricks.

His body
grows lighter and lighter.

Like an empty hanger
swaying on a clothes rack.

Father,
where are you going?

From that hanger
hangs a coat
with worn sleeves.

When I take his hand,

a severed lizard’s tail
crumbles from his palm
into dry sand.

My father, reduced to dust,
keeps settling

on the window,
along the windowsill.

Father,

I call your name,
but no answer comes.

With my index finger,

I wipe away
my father’s name.

From my own chin,

cactus spines
begin to grow.

DIARIES & MEMOIRS: COUNTRIES A-Z, Exclusive to COTW, Letters to the editors, Popular & established authors, South Korea

Letter from Jo Eun Young to Matthew, COTW editor

Dear Matthew,

I hope you have been doing well.

After returning from Europe, I took about a week to recover from jet lag and regain my energy.

For this journey, I printed fifty copies of our leaflet, and I was able to leave forty-eight of them at bookshops along the way.

My first stop was the conference in Siena, where I shared the leaflet with professors and several students in Korean Studies. They were genuinely interested, especially in the translations, and I promised to send them the original Korean poems after returning home.

After Siena, I visited Florence and Rome. The experience was quite different from my visit to Lisbon in 2019.

In Lisbon, I felt warmly welcomed. Perhaps it was because Fernando Pessoa is celebrated throughout the city, with bookstores and shops proudly displaying books and souvenirs inspired by him. It felt like a city that embraces its poets.

Florence and Rome, however, felt different. After returning home, I found myself reflecting on why.

First, Florence and Rome are much more tourism-oriented cities than Lisbon. Perhaps people naturally saw me as a tourist rather than as a writer.

Second, I wondered whether my limited English, together with being an Asian visitor, made communication more difficult.

Third, many of the bookshops I visited also operated as cafés, restaurants, or bars, which may have made it less practical for them to introduce or display independent literary projects.

Because the leaflet was written in English, one bookseller—who I believe was probably a staff member rather than the owner—suggested that I should instead visit bookshops specializing in English-language books.

In Florence, every bookshop kindly accepted my leaflet. In Rome, one bookshop politely declined. It appeared to be one of the busiest bookstores in the neighborhood, and the staff explained that any decision to display printed materials had to be discussed and approved at a staff meeting.

I cannot say that I was enthusiastically welcomed everywhere, but I also realize that this expectation was my own. If even one person becomes interested and a genuine connection begins, I will consider this journey worthwhile.

Most importantly, this small adventure was meaningful because I was able to share a leaflet that we created together—you, the illustrator Han So-jin, and I. Thanks to this project, I wandered far beyond the usual tourist destinations and explored the small streets and independent bookshops of Florence and Rome.

Back in Korea, I am currently teaching as a professor while also working with a local cultural foundation on a project interviewing independent neighborhood bookshops. Looking back, from March through August, I have been on a continuous journey through local bookshops in both Korea and Europe.

Thank you, Matthew, for accompanying me on this journey through your work and encouragement.

Now many projects are waiting for me again.

I hope to spend this summer working, reading, writing, and loving.

With my sincere gratitude,

JO EUN YOUNG

P.S.

I’ve been documenting this journey on my Instagram (@bella_joeun), if you’re interested.

Modern poetry is anarchism, Popular & established authors, South Korea

The Summer We Once Wanted

By Jo Eun Young, Korea. See also: Meet Me at Three O’clock at the LerDevagar Bookstore and The Woman Not On Any List

Featured image: Way to Home by Park Sojin

Beneath the silk tree,

the cry of cicadas
becomes a curtain.

The forest
holds a wedding come too late,

while the wind
still clings
to the edge of the veil.

Shall we go now?

Lifting
the frayed hem
just a little,

we walk
along the back
that evening offers.

The road steps aside
to be alone.

At a corner
where endings are delayed,

words left unsaid
lie folded.

The cicadas
leave their cries behind,

and the long blessing
fades away.

A promise
to cry one day through

and molt.

I became
a bride for a single day,

walking barefoot.

We walk side by side,

only to drift
past one another
at last.

Upon our joined hands,

the living world
settles,
layer by layer.

Let us make a veil

from light
coming loose
at the seams.

With blue evening
wrapped around our ankles,

we slip away

among summer’s guests.

Modern poetry is anarchism, Popular & established authors, South Korea

Meet Me at Three O’clock at the LerDevagar Bookstore

By Jo Eun Young, Republic of Korea; translated by Jung Slin. See also: The Summer We Once Wanted and The Woman Not On Any List

Dear Zeze’s one and only Mister Portuga,

My teacher asked about Papa and

Got a packed lunch from Mama, but the next day

He left a thick book only in the next desk over.

So I tear out the last page and go

To Lisbon

To the bookstore LerDevagar

The workwoman who bikes across the store each day

Wrote poetry and was fired from the print shop, they say

Against the screaming pages

Her fingertips come into bloom

When her feet hum round and round the pedals

Songs in canon rouse from slumber to form a path

I cut the wire around my chest

And put up my hair in a gentle bun

When the sun shines at a three o’clock tilt

The scenery hiding underfoot unwraps its belt

A shadow has sunk its teeth into my dusty feet

And when its slant leans to the left

I take one slow stroll around the bookstore

In the bookshelf, three sections from the leftmost end

I’ll hide two books, and between the pages will be

Dried carnations once slipped into the muzzles of guns

I’ll ask for an Espresso• with one drop of ink

Only when the dust peeled naked by the sun

Falls onto the shattered mirror

Sound out my name backwards, Dear Mister Portuga

The name my teacher never said

And meet me at three o’clock

At the LerDevagar bookstore

•The LerDevagar bookstore was once a print shop, where the first issue of the Portuguese newspaper Espresso was printed. It was also the epicenter of the bloodless 1974 revolution known as the CarnationRevolution.