Two men kissing on a rooftop with a burning city behind them
Collapse chats & diaries, Ecology of the absurd, Germany, Popular & established authors, Reflections

Collapse utopias: the last gay kiss

By Tadzio Mueller; originally published in German on the blog Peaceful Sabotage. Republished with permission.

Tadzio Mueller has been sharing extracts on his blog, in German, from the unedited draft of his next book, titled Together Against Fear: Solidarity-Based Collapse Politics. He has kindly given me permission to republish his extracts on COTW in English. Below I have included some of his introduction to the extract originally published on his blog on the 2nd of July 2026, with the extract following the intro:

What you have before you here is the actual ending of the book; these will be the final pages, paragraphs, and sentences. The first draft isn’t finished yet; I’ve missed all sorts of deadlines and still have a lot to revise and rewrite (including this final section). But I think I’ve got the gist of it.

Take a look at the ending and let me know if you get the same impression. Oh, and this time I’m not really asking for critical feedback – I’d be happy to give that next week. Today I just want to celebrate having come this far in two months of writing. 220 pages, 7 chapters, a story that I hope you’ll find interesting.

So here it is, as a teaser and for the “hey Tadzio, that sounds really good” fishing for compliments: the conclusion of my second book. Together Against Fear: Solidarity-Based Collapse Politics, to be published in October 2026 by Mandelbaum Verlag.

Enjoy.

*******

Don’t go gentle into that good night.

Rage, rage against the dying of the light.

Dylan Thomas

The last gay kiss

…Now, in a left-wing political book, this would usually be the point where the “ visioning ” section begins, because every grand left-wing narrative—and this book would at least like to be one—needs a utopia, because without utopia there is no “utopian warmth.” Without utopia, the political perspective I have presented here wouldn’t necessarily differ from that of an average volunteer fire department somewhere in the middle of Germany. When I explained the “SoliPreppen” strategy to an old friend and comrade a good two years ago, he asked me, somewhat smugly, whether “shoveling sandbags in the flood” had really become the sole horizon of my political thought and action—and if so, whether I, as a communist, wasn’t ashamed of that.

Of course, it was mostly friendly banter at first, but the question stuck with me; I quoted it in almost every reading and public event because it preoccupied me for a long time: what exactly is the “radical” core of my narrative? Does it even have one?

What has always distinguished the “radical” left from the “moderate” left—I deliberately avoid using historically specific labels like “revolutionary” or “reformist,” firstly because they are too imprecise, and secondly because, as explained above, the term “revolutionary” no longer has any meaning and therefore cannot function as the counterpart in a pair of concepts—was utopia. In concrete workers’ struggles, for example, social democrats and communists get along well; both wanted wage increases. But for social democratic workers, wage struggles were truly about wages, whereas struggles within capitalism, for example, about the relative distribution of surplus value between the two competing and mutually dependent classes, could only ever be a step towards better organization for the revolution for communist workers: utopia, that is, assumptions about the future, determine the meaning of things in the present.

Which means that without a vision of the future, the present isn’t entirely meaningless in a political sense, but if I’m sitting in the present, wondering what to do tomorrow, the only way to make that decision meaningfully is to have some idea of ​​what the day after tomorrow will look like. Strategies are lines, and to keep these lines from going all over the place , they need a vanishing point. Traditionally, for the radical left, this vanishing point is “the revolution.” Later, when it became clear to most thinking leftists that the Leninist revolution had become about as realistic as the idea of ​​a cavalry squadron winning a naval battle, we called it “transformation,” which really just meant “a whole lot of reforms that will eventually become a revolution”—in essence, nothing at all.

There is essentially no radical-left utopia left, apart from the modernist fever dreams of the “accelerationists,” whose strategic position was summarized in * Empire *—a book widely received within the anti-globalization movement and representing the central theoretical framework of the radical left in imperial centers during the 2000s—as follows: ” We’ve got to push through *Empire* and come out the side .” In other words: capitalism to the limit, then a magical transition to communism, and everyone’s happy. Fully automated luxury communism as the last false utopia of capitalist modernity.

But there is no longer a progressive bourgeois utopia either, because at its core, it would always have resembled the world of Star Trek/“Starship Enterprise”: democracy everywhere, technological hyper-progress everywhere, no wars, no poverty… in the bourgeois utopia, it’s simply that everyone has become a citizen, because the way our lives (and now I mean specifically: my class) ideally look – prosperous, peaceful, endowed with rights and political power – is what all lives should be able to look like, right? This idea is now just as realistic as the Leninist revolution, or indeed the victory of Kublai Khan’s cavalry in the Peloponnesian War. The long-observed “brutalization” of the bourgeoisie – which I analyzed in my last book as “assholeization” – is also a reaction to the repressed realization of the impossibility of everyone in the world living like the bourgeoisie in, for example, Germany, and therefore the bourgeoisie also feels that its privileges will not necessarily last. It’s possible that someone else, sometime, might do to us what we, of course, used to do to others, elsewhere: defeat militarily, occupy, rob, kill. That this isn’t particularly realistic is a given. But perpetrators of violence are themselves so traumatized by their own acts of violence that they are never again able to look at the victims of their crimes and aren’t afraid that they, too, will one day suffer the same fate they inflicted on others.

It is clear that there can be no ecological, no green utopia in a global ecological collapse. But left-wing and bourgeois, humanist utopias also cease to function in a collapse. The collapse sweeps away the vanishing points of modern capitalist politics, including the left , because these were always high on the Y-axis of societal outcomes: ” the arc of the moral universe is long, but it bends towards justice .” Since only net negative societal outcomes are conceivable in a global ecological collapse—because the material conditions of human life on the planet will change so rapidly and so drastically that “chaos” is the most likely macro result—new vanishing points, new progressive utopias, are needed.

Border utopias in collapse

But can utopias even exist in a collapse? A brief look back: ever since Thomas More wrote the first “utopia” in the early 16th century, the utopia (simultaneously a “non-place,” and the “happy place”) has been a non-existent place, outside of reality, from which one can criticize reality. Everything that is bad in reality is good at the utopia (the non-place), and remains good. The utopia is a stable place of goodness, if not perfection, and collapse is precisely what makes all places unstable . No matter where you live, the more ecological collapse escalates, the faster it has effects on Earth, the fewer stable places there will be. That’s why the super-rich are building so many spaceships: because they’ve understood this.

Okay, so if there can be no true utopia in the classical sense, do we really need one? I mean , I’ve been resisting every bit of “hopium” in the climate and collapse debate, and I get incredibly annoyed when my comrades try to sneak magical thinking into our strategy discussions through some back door – do I really want to be the one who brings utopia back into the collapse debate?

The answer will surprise you: yes, that’s who I want to be. My experience during my “future depression,” that phase of utter meaninglessness in my life when there was no escape except ” get high and get fucked ,” showed me that I can’t function without an “escape route.” I need the idea of ​​a goal that lies outside the present, a situation I can work towards, a ” horizon state ,” something that can never be reached, but in which direction one can always move.

The concept of “direction” is also emphasized by what is probably the most famous formulation of the function of “utopia” in the history of the global left. The Uruguayan author Eduardo Galeano once wrote this: “Utopia stands on the horizon. I take two steps toward it, it recedes two steps. I take ten steps and the horizon retreats ten steps. What is the purpose of utopia? To enable us to move forward.”

Moving forward. That’s precisely what I’m talking about: that we move forward, keep going, keep fighting, keep loving, keep going… That’s why I still need utopia. But utopia in the classical sense is impossible in a collapse, because, as I said: a utopia is a stable place from which we can criticize the existing order, but since in a collapse “stable places” are not only “far away” but actually impossible , we have to adapt the concept to the collapse. If there can be no stable places from which we can criticize the existing order, and which can represent our strategic points of escape, then we need a conception of “utopia” that is not static, that can always and everywhere work, regardless of how good or bad the situation is in which we act. The “utopia” then doesn’t describe a perfect place we’re striving for, but rather an action, an intervention, intended to create a temporary state: it consists of an action working towards a goal; it’s a utopia that consciously focuses on “moving on,” no matter how bad things get in reality. Frankly, that sounds totally abstract, so I’d rather make it concrete and tell you about my very personal collapse utopia.

Important note: this will differ from your own collapse utopias. How exactly we imagine the collapse and our role in it is a totally personal matter, just like our fears – I’m terrified of my HIV medication running out, most of you probably aren’t, so different plans and strategies emerge, which makes perfect sense . My collapse utopia starts with me, with my fears, my needs, my abilities, which is why it might only motivate me – but that’s fine, because that’s precisely what it’s meant to do: motivate me, enable me to keep going. So I’m not necessarily inviting you to make my collapse utopia your own; it’s quite niche. Of course, I’m happy if it inspires you, but actually, by telling this last little story, I want to invite you to formulate your own collapse utopias. In my narrative, Nazis and communist queer people appear, as well as sex-positive parties in dark Berlin basements, fights, or shootouts with fascist combat troops. My own private utopia stems very much from my own imagination, and when someone once asked me if I couldn’t formulate a less “private” utopia, one potentially for everyone, for example, one that included children, my answer was: nope, my utopias are about fighting and kissing; children simply don’t fit into that. If you want children in your utopias, then include them. That’s what the collapse movement is about. Do it yourself. Because, firstly, your utopia is there for you; it’s meant to help you move forward: that’s much, much more efficient if you create it yourselves. And secondly, because the “collapse utopia” you formulate will always also be an answer to the question that also drives this search: who do I want to be, who will I be in the collapse—and of course, I have absolutely no idea what that looks like for you in concrete terms. And once we all have such a utopia in front of us, a path we can continue on, then it would be exciting to put them in relation to each other, for example within the framework of a solidarity-based collapse movement.

My own private collapse utopia

But we’re not there yet; there’s still a long way to go, through increasingly contested terrain that’s becoming ever more difficult to navigate. When I first became aware of this new terrain, I despaired because I couldn’t find a way through the thicket that loomed before me. And why should I even bother fighting my way through all that muck if defeat is the most likely outcome anyway, if the dangers are so great, if the other side is so strong? Why fight if we’re most likely going to lose ?

But then I realized that I don’t function as a human being unless I feel like I’m moving forward strategically, taking action. Finding a way through the thicket became a matter of survival for me— literally : I had tried to distance myself from “politics” and “the struggle,” and what I was and did during that time… well. I’ve had better days —and as we all know, in the service of our own survival, we often become quite creative.

This is how I see it now: while we are in a poor strategic situation compared to 10 or 20 years ago, others, elsewhere, were in far worse situations and still fought. There are many examples I could cite, and each carries its own risks: whether I cite indigenous struggles in the Americas, which have been undermined by Europeans for over 500 years, or the Warsaw Ghetto Uprising, which, despite its lack of success, enabled affirmative, fighting Jewish life in a hell designed to destroy Jewish life, I would always be citing struggles and situations significantly different from ours. I would always be in danger of drawing the wrong conclusions from the experiences of others, based on my own privileged position.

So I’ll try it without historical comparisons: the agenda isn’t all that complicated: No matter how bad things get, we don’t have the right to give up, and that also means we don’t have the right, as most of us still do, to escape into comfortable lies, into one of those hopium stories where China, Norway, or some enlightened aliens can still save us from ourselves. No matter how dramatically the situation deteriorates here at home, the classic queer strategy of “getting up, straightening our crowns, and fighting on…” applies.

Fight on until…? Until when and where? My collapse utopia begins, appropriately , in a dystopian situation, which might sound strange at first, but is functional in the context of collapse: if the future becomes dystopian, then the utopia that allows me to “keep going” in this future despite everything must also make sense in a dystopia, no matter how dark it is. Therefore, collapse utopias should always start with a “worst-case scenario” and locate something inspiring within it—something that motivates one to “keep going.”

In my mind, it looks like this: the global ecological collapse has, within just a few years, led to the violence, destruction, and social chaos that we previously exported now arriving in the wealthy, externalizing societies of the North. Fascism is armed; in most countries of the “old West,” it also controls the state apparatus; and Germany has once again become world champion. For the second time, we hold the trophy for “greatest fascist assholes of all time” in our hands; we are, as always, the biggest bastards.

Some cities withstood the attacks from the more rural regions for a while, but one after another they fell under the onslaught of the brown hordes (if you hear echoes of Lord of the Rings here: sure. We’re telling stories, aren’t we? ). All cities? No, Berlin, populated by indomitable migrants, queers, and communists, was the last city to hold out—until very recently, when the fascists surrounded the city, cut us off from our forward defense positions (formerly: “commuter belt”) and food production enclaves, and, with the support of collaborators in wealthy West Berlin and fascist Southeast Berlin, began to advance toward the Berlin Ring. The mythical “Last Battle”, the communist Ragnarök ( except that we traditionally hoped we’d win – the old Vikings were more realistic, they knew the good guys would lose in the end) is brewing on the Tempelhof Field, not because urban warfare spills into open field battles, but because my mind can stage it better there.

The final battle doesn’t interest me: I’m part of the Pink Panther Brigades, whose task is to organize—and, if necessary, fight for—temporary but safe spaces for queer life in the socio-ecological hellscape that the world, including its formerly wealthy parts, has become in collapse, where brown hordes have taken over almost all of Europe, where people perceived as migrants, leftists, queer people, and people with disabilities have to hide. We know defeat is coming. That’s precisely why we’re throwing all our remaining resources into our core mission: enabling and defending queer life. We’re retreating to the city’s catacombs, to the many cellars and tunnels beneath Berlin that we’ve developed and interconnected through years of proactive preparation.

Messages are going out to our allies beyond Berlin: the world’s major cities have fallen, but everywhere—remember Independence Day: the aliens destroy the cities, people retreat to caves, deserts, and forests—radical queers still live, and everywhere people want to throw one last awesome queer party before going into permanent exile, to a camp, or… as Rosa Luxemburg once put it: “I will still hopefully die at my post: in a street battle or in prison. 

The Pink Panthers’ final battle, therefore, is not the (in this dark utopia) hopeless fight on Tempelhof Field against the advancing masses. It is the fight in the catacombs for affirmative queer life, for queer life as it should be: free, ecstatic, communal, awesome, supportive, loving, sexy, euphoric, human… The party is a riotous celebration; there is no longer any distinction between the darkroom and the dance floor. Everywhere there is kissing, sex, eating, drinking, crying, dancing, bondage, whipping, love, and laughter…

I’m not at the party myself. I’m part of the Panthers; our job was to make the party possible, now it’s our job to defend it. I hear the music, I hear the groans and the laughter. I’m not there, and yet this moment fills me completely, because I know exactly what I’m doing, why I’m standing here: at one of the entrances to the catacombs, where I can already see the first vanguard of fascists advancing towards us. I know: the party won’t last much longer. The enemy is already here.

But I also know: the longer we stand here, the longer queer life will continue. So let’s throw everything into this final moment, truly sacrificing ourselves. For what has become the meaning of our lives in recent years. The defense of queer life, the active, the proactive creation of spaces where queer and feminist and humanistic and supportive and loving and warm… where human life is possible as it should be. The kind of life that so irritates the assholes, precisely because it is so human.

In my dystopian vision of collapse, I, we, are capable of defending this last queer party against the advancing fascists until the last sixteen-year-old on this planet has shared the last gay kiss with the last eighteen-year-old. And as strange as that may sound, that’s enough for me as a “meaning of life,” enough for me as a goal for a fulfilling life in the midst of collapse. And if that isn’t enough motivation to imagine the space of catastrophe as a strategic space, then I don’t know what is. Because the agenda is clear, the path is clear—we just have to pull ourselves together and start walking it.

To be sure : we can achieve and fight for far, far more in this catastrophe than simply making a gay kiss possible somewhere. But my point is this: this thought provides orientation. Everything good that we can fight for is important, because if we don’t fight for it, don’t create it, then this good won’t exist in a world that will otherwise only get worse.

With increasingly exhausted greetings,

Yours truly, Tadzio.

Note: the featured image for this post was created using AI.
Featured blogs, sites & lit works, Reflections, Turkey

Life is a Dream

By: an exciting new writer from Turkey; originally published on the blogsite, thingsfromsomewhere

They say that life is a dream. But life is not a single dream, it is thousands of dreams. Some are nested inside one another, like matryoshka dolls, and we wake up from one into another. Some are like potholes on our path, and we suddenly fall into them. From one pothole to the next.

DIARIES & MEMOIRS: COUNTRIES A-Z, Exclusive to COTW, Reflections, Ukraine

Dancing During War (Ukraine travel memoir) #3: Thursday August 14, 2024

by Keith Hennessey, 2024

Using my phone I read a few things about the war today including the surprise Ukrainian incursion into Kursk Russia. I also tried to learn more about the Air Alarm system so I could emotionally prepare for my first air raid siren. I joined an English-language Telegram channel, which was recommended for tracking potential bombing.

Then I researched queer Ukraine and learned about an amazing 2018 photo project and exhibition featuring queer soldiers within Ukraine’s “Anti Terrorist Forces.” The photo project affirms the presence of LGBTQ+ Ukrainians in general and heroic soldiers in particular. Despite the subjects’ identities being hidden, the photos bring queer visibility and pride into public space.

I went to two large old Catholic churches, both with extremely elaborate interiors. Murals, arches, wood and marble, tiled floor designs, statuary and icons, alcoves and pillars… The first one had a sign outside requesting prayers for Ukraine.

A little later, after visiting a couple second hand stores, I passed a church from which I could hear singing. I entered to a Catholic mass honoring “defenders,” which is how Ukrainians refer to their soldiers. Alongside the interior of the church were photos of hundreds and hundreds of deceased defenders. I had read that both sides were under-reporting their war dead to not weaken national esteem. But everyone knows someone who has died and even more who are physically injured, traumatized, and displaced from their homes.

In a small plaza outside the church I witnessed a combination of info display and memorial for the over 900 Azov brigade soldiers and crew still held in Russian prisons since 2022. The Azov brigade began as an independent “army” made up of predominantly Russian-speaking Ukrainians who were then assimilated into the Ukrainian National Guard and were the last line of defense in the terrible siege on Mariupol. They are highly regarded in Ukraine for their bravery and sacrifices, and there is a movement to keep pressure on negotiating prisoner release.

There’s a lot of follow up study if you’re interested in Azov, torture as a war tactic, and the siege on Mariupol including:

  • The extreme torture perpetrated against Ukrainian soldiers.
  • The critiques of Azov members with neo-Nazi affiliation, and the normalization of radical right Ukrainian nationalism.
  • The bombing massacre of a theater/cultural heritage site used as a citizen refuge in Mariupol.

Walking back to my temp rental I saw a young guy with his bandaged foot casually yet intimately supported by his buddy’s leg as they sat on a street bench. When I looked closer I saw that he was missing half his foot. I’d heard that I would occasionally see wounded soldiers including amputees with prosthetics.

My first appearance at the weekend Contact Improvisation festival organized around my visit was an informal lecture on the politics of dancing, and the political potentials of CI. My talk-discussion was attended by 35-40 people, including two people I’d met before, plus a small livestream audience in Kyiv. The talk happened in a very new studio run by a physical theater company in a renovated-gentrified factory complex of multiple buildings. Next door was a hip gym called Smartass whose logo looked like a tech startup’s.

My talk offered three ideas or frames for thinking about dancing as political engagement and political healing. Ideas and inspirations I’ve been working with for at least 10 years:

  1. Gustav Landauer’s analysis of the state as a system of relationships, a mode of behavior, that cannot be destroyed as an object but rather needs to be replaced by contracting new relationships, by treating each other differently. I proposed the studio and CI jam as a research lab to develop, rediscover, and practice these new relationships.
  2. I introduced a few women from US Black feminism whose work considers and responds to oppressive power and state violence. Quoting Audre Lorde and adrienne marie brown I encouraged them to consider self and community care during a multi-year invasion by one of the world’s biggest military empires as “self preservation” and “political warfare,” and supported care-tuned dancing with brown’s “we learn to love by loving.” Using the touch and change prayer from Octavia Butler’s dystopian novel Parable of the Sower, I offered some fresh ways to understand touch and consent as tools of social
    transformation.
  3. My final idea was to propose solidarity as an ethical goal of these dancing, caring, loving, touching experiments. Identifying the radical right, neofascist, and anti-democratic movements around the world as an intensification of neoliberalism’s crisis of solidarity, I proposed CI as empathy training that might expand our capacity for solidarity, to care for those we don’t know, those who are different from us.

After each idea the circle was opened up to comments, questions, discussion. Several of the questions circled around the gap between the studio and the world, the counter cultural gap, the power gap, the hopelessly small scale of the CI network. At one point, even though I had decided to not critique nationalism given how it was functioning as a primary tactic of Ukranian survival and defense, we got into it. I suggested that nationalism is resonant with the tactically effective yet dead-end strategy of identity politics. This was the edgiest thing I said. One person pushed back and said it was crucial to their survival right now. One person thanked me for bringing it up. One person said let’s move on. I apologized. One person responded, we forgive you, because you dared to come here.

After the talk there was an open CI jam. Approximately 30 people stayed to dance. As usual I watched more than danced but I had a couple of lovely dance connections. The floor was hard but new.

Will there be dancing during wartime? Yes. There will be dancing.

At the jam’s closing circle one person praised that there were dancers from at least 7 different cities including a few from Kharkiv and other places experiencing active bombing. They were so grateful to have Ukrainians from around the country dancing together at a jam. One of the long term CI teacher/organizers in Ukraine reported that she could feel love in her dancing tonight, maybe for the first time in over 2 years. A young enthusiastic guy finished his comments by saying, “Slava Ukraini (Glory to Ukraine.)” Someone asked for a moment of silence for the “defenders, without whom we wouldn’t be dancing.” The “moment” lasted six full minutes. It was intense and reverent.

After the jam a young dancer came up to thank me for talking about nationalism. She said she was from the Eastern part of Ukraine, in the contested Donbas region. Speaking Russian as a first language she felt excluded from Ukrainian nationalism despite her identification with Ukraine and critique of Putin’s Russia. I asked her where she was living now and she replied, Krakow (in Poland), describing it as “heaven on earth.”

A couple people including my main host took me out for pizza where the conversation continued for another hour. A young man explained why he hadn’t registered for the draft and how he was prepared to defend his refusal to military recruiters who sometimes pick up young men in the street. He felt that his family had served enough already. His older brother was at the front for five years and is now disabled. His father, a former journalist previously jailed for criticizing the army, was now serving in the Ukrainian air defense. He said, “It happened in late 90s. My father wrote about government crimes in a newspaper. One evening, he was illegally abducted by the police. Without a trial and unlawfully, they held him in the forest for half a year. We didn’t know if he would return alive.”

It was getting close to the midnight curfew and we were all tired so we hugged goodnight.

DIARIES & MEMOIRS: COUNTRIES A-Z, Exclusive to COTW, Reflections, Ukraine

Dancing During War (Ukraine travel memoir) #2: Wednesday August 14, 2024

by Keith Hennessey, 2024

I came to Ukraine because I hate war and imperialism and wanted to extend solidarity to people suffering from it. Also I’m deeply curious about, and inspired by, how people, and artists in particular, think-feel-work-dance-heal-create-connect under extremely difficult conditions. How to survive a war? How to keep dancing, or not, during a war? From previous experiences* and extensive political reading I know that witnessing is a powerful act of solidarity. I came to listen and look, with a willingness to be changed and a commitment to not turn away, not be silent. I was sincerely invited and warmly welcomed.

I also came because I’m restless and confused with my own life which teeters between fabulous, and lonely alienated political despair. With the overly scheduled and distracted attention of my everyday life I don’t have the capacity to focus or learn at the level I’d like to be engaged, at the level I have found only when I leave home and immerse myself in a place and a history with the people most impacted.

I also came because it was easier, logistically and culturally, than going to Sudan, Palestine, Venezuela, or Congo, where I am also interested in learning, witnessing and offering solidarity. In early August 2024 I had paid work relatively nearby in Vienna and I had been to Kyiv before the 2022 invasion and knew some Ukrainian dancers. Karl Frost, a dancer friend, had made the trip a few months earlier to offer contact improvisation (CI) workshops in Kyiv and Lviv. Karl connected me with Lilia, a dancer-organizer from Lviv who organized a talk, classes, and dance jams around my visit. I declined invitations to go to Kyiv because the trip is long and the likelihood of bombing and regular air raid sirens was much higher.

In discussing what I might offer in this situation, Lilia said, “we’re trying to hold together a dance community during the war, to keep our love and humanity alive.”

I responded:
“I am not a therapist or trauma specialist but I recognize the healing or calming potential of the practices we do in a dance class, in somatic awareness exercises, in paying close attention to our breath and body sensations, in tuning in to another person or group. Most healing focuses on the individual. I am more interested in “political healing,” which recognizes how we share many symptoms (anxiety, depression, alienation) with other people (and other beings) and that our pain/harm is caused by social and political forces more than by isolated individuals. My work tends more to the whole forest than to the individual tree.”

Lilia responded:
“Dear Keith, First of all I appreciate your desire to come and teach in Ukraine. For us it’s very important when people abroad would like to come and to spend some time in Ukraine. To see how we keep on living and keep on dancing in this crazy world. In a war world full of violence, anger and horrible things around, somehow we choose to love, to be kind and to be honest with each other. It is a miracle for me. How is it possible in these hard circumstances to choose the humanity? We are living in the high risk right now. It’s a revolutionary world. For me CI practice is kind of the same revolutionary dance form with a high risk and a strong survival mode.

CI practice is supporting our nervous system and is helping to survive our body both physically and mentally. In your workshop in Ukraine, Keith, I’d like to experience how the physicality of CI practice meets our Ukrainian context. Through the CI exercises focused on physicality and gravity. Through the scores and performative structures. How the Russian war changed us and keeps on changing. How the political and social forces change us. How do we meet these changes? How open are we to speak and to dance with complicated things in our lives — like war for Ukrainians and like women`s rights, queer rights and so on? We have done it every day since 24.02.2022. I think we are ready for that risk — putting seeds and uncomfortable questions. We are in survival mode.

I trust you as a CI teacher and I trust your experience. We are not expecting something big from you. We are inviting you to come and dance with us and to share your experience. This is enough. Your active solidarity position is a key. And of course we’ll be healing together while gathering and doing simple CI things but risky
physical things related to the survival mode.”

Due to the ongoing war employing drones and air missiles there were no commercial flights into Ukraine. I flew to Krakow Poland were I had a lovely day of rest, and enjoyed 2nd hand shopping, hipster ramen**, and the hotel spa. Then I took a 7-hour FlixBus to Lviv. I’d heard that the border was unpredictable and we could be there for hours. I was imagining a more militarized situation… maybe like an Israeli checkpoint but it was just slow bureaucracy, not malevolent. Fortunately I had packed a lot of food.

My host Lilia, a dancer, organizer, and mother of two small kids, met me at the station. We hugged warmly despite never having met before. She told me that when she texted me that morning she wondered if I would really come, imagining that I might cancel at the last minute. In the taxi Lilia tried to explain the destabilizing and exhausting unpredictability of the Ukrainian situation. She said they no longer had any concept of the future. She went to a CI festival in Austria last year and observed that people who seem to know their future feel plastic to her after 3 years of war. I asked, plastic? She explained, “They walk around oblivious like plastic people who can count on their future unfolding in a predetermined way.” While in Ukraine I heard many versions of this feeling of alienation or critical distance from people who are not also living with war as a daily reality or who act as if a war at the border of Eastern Europe and Russia doesn’t concern them.

On my first walk around the city center, with its multiple cathedrals and churches over 300 years old, and quaint cobblestone streets lined with vibrant and crowded outdoor cafes, I saw the first visible sign of war. A church with protective covers on its stained glass windows and historic sculptures. After dinner I came upon a street musician who had a large audience of over 100 people, mostly in their teens and 20s. I was attracted by what sounded like a singalong, choral singing. Later I played the recording for someone to ask about the song and learned that it was a pop Ukrainian song from the 90s that many people know. There’s a curfew for everyone at midnight, which I appreciated because here in the dense city center there are many busy cafes, restaurants, bars, and ice cream shops just outside my window.

*My previous war and conflict experiences: Bosnia and Croatia in 1995, Chiapas after the 1997 Acteal massacre perpetrated by paramilitaries against the indigenous Zapatistas, Cairo after the 2011 uprisings, Oslo during and Bratislava following anti-gay shootings in 2022 and 2023.
**Not sure why this is turning into an Eastern Europe ramen tour but for reference, the ramen restaurants in Vienna are cheaper than SF, cheaper in Krakow than in Vienna, and cheaper again in Lviv compared to Krakow. In Lviv a dinner-size bowl of delicious ramen in a trendy spot is US$5-7. I 💜 ramen.

DIARIES & MEMOIRS: COUNTRIES A-Z, Exclusive to COTW, Reflections, Ukraine

Dancing During War (Ukraine travel memoir) #1

by Keith Hennessey, 2024

This is a serialized travel memoir from a well-intentioned yet ill-informed US/Canadian perspective that shares stories of fierce vulnerable Ukrainian dancers in the middle of a war/invasion. This isn’t well researched journalism. Yes you can share with friends —Keith

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Dear reader,

This is a 5-day collection of stories, observations, and experiences from my trip to Lviv, Ukraine in August 2024. 2024 was year 3 or 10 or 30 or 100 of the war between Russia and Ukraine, also known as, Ukraine’s righteous defense against Russia’s colonial invasion, depending on which historical date or “truth” you want to prioritize. Numbers of people killed and other data are based on what I could find online in summer 2024.

First, some historical dates to explain the above numbers, 3, 10, 30, 100:

1921-22: (100 years ago.) Russia, as part of Soviet expansion, invaded and annexed/occupied Ukraine, including a violent suppression of Ukrainian literature, culture, and language.

1932-33: In the violent take-over (forced nationalization) of Ukraine’s vast and fertile private farms, Stalin’s regime caused the Holodomar/Terror-Famine, an agricultural genocide that resulted in at least 4 million Ukrainian deaths. Followed by massive displacement, both internally and by emigration.

Nov 1989: Fall of the Berlin Wall and the beginning of dissolution of Russian-dominated Soviet Union.

Aug 1991: (30 years ago.) Ukrainian independence, and intensification of Russian efforts to control and/or destabilize Ukraine, to keep Ukraine within the Russian sphere of economic, military, and cultural influence. The US and Europe have been very active in this larger global competition, pulling Ukraine away from Russia towards Europe, maybe with promises to join Europe (and maybe even NATO?)

Feb 2014: Maidan Revolution / Revolution of Dignity, culmination of the Euromaidan protests (2013-14), which ousted Ukraine’s pro-Russian president.

2014: (10 years ago.) In response to the Maidan Revolution, Putin’s Russia invaded Ukraine’s Donbas region and then annexed Crimea. There has been an ongoing war in Eastern Ukraine since then, which Russia escalated in 2022. Ukraine re-prioritized Ukrainian language education in and out of schools.

Feb 2022: (3 years ago.) The current Russian invasion of Ukraine, occupying significant areas of Eastern Ukraine, ongoing bombing of civilian infrastructure in several areas of the country including the capital Kyev. An unknown number of thousands of Ukrainian civilians dead, estimates of over 100,000 military dead, and over 8 million Ukrainians have fled the country from a population of 41 million. Russian military deaths have not been clearly reported but it seems that over 100,000 have died.

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Through a friend I reached out to a couple of Ukrainian contact improvisation dancer-organizers saying I’d heard that there was a desire for international teachers to come to Ukraine, to share skills, witness life during war, and soften some of the isolation they have felt since 2022. A small festival was organized around my visit which included a talk, 3 days of classes and dance jams, an informal performance, and a closing hang out at a semi-rural sauna/banya. Over 50 people participated, from several cities and towns around Ukraine including Lviv, Kyiv, Odessa, Dnipro and Kharkiv, with 25-40 people at each class, talk, jam, performance.

These notes are intended as both a curious travelog for my friends and as a small act of solidarity with Ukrainian dancers feeling isolated, abandoned, and hungry for connection, witness, and support. Writing helps to organize my memories and thoughts and also helps me process what has been a deeply emotional few days. You are witnessing my witnessing.

I do not name all of the people I met and whose stories I’m sharing here. They know I took a lot of notes and photos and consented to my sharing this report with friends and beyond. They also have access to the document and know that I welcome their comments, corrections, edits. Neither my notes nor memories are precise or complete. I heard almost everything through translation and gaps of cultural understanding. I selected what to share. Any historical info was grabbed from Wikipedia and quick internet searches simply to create a broader context for the stories I heard. Please do your own research and don’t quote me. Supportive corrections are welcome. All errors, misunderstanding, and omissions are mine. Apologies to all.

At least some of you reading this should consider going to Ukraine.