DIARIES & MEMOIRS: COUNTRIES A-Z, England, Modern poetry is anarchism, Popular & established authors

last seen

i want to be like them
The Missing

i want a feature in the Big Issue
the ‘ last seen’ scenario
‘she seemed fine at the drop off!’
parked at the school gates
waving goodbye to boys 6 and 8
in her favourite coat,
non branded, clean, parka green.

the despair of staying here
makes my nurture seem like torture
there’s only comfort in escape
i want to get away up the M8
music on full blast
shoebox of stashed cash
start a new life
no questions asked.

but i imagine you
led back to the school
only a weary teacher to wait with
then driven back
when I don’t return
to a house no longer a home.

i won’t leave my children
a legacy of loss.
i cant be like them.
The Missing are those who go
and stay gone
i’ll be the one
dashing back for the pick up
shouting ‘sorry i’m late’
last seen
at the school gate
clutching kids.

By Sarah Morris

Collapse chats & diaries, DIARIES & MEMOIRS: COUNTRIES A-Z, Ecology of the absurd, Reflections

Dying Well Amidst Collapse (#1)

In 2040 I will be 60. In 2050 I will be 70. I am lucky enough that I am likely to remain relatively healthy throughout my middle age; I like to think that my old age will not start until I am 70. I have read enough now about the -more or less global- Collapse of modern civilization that is highly probable before 2050, and highly possible by 2040. This means that civilization is likely to become decrepit before I do, and I am likely, like the majority of humans alive after 2040, to suffer a tragic death (although I may not). How can I make my death less tragic? How can I die well? Firstly, I can resolve not to die in a state of blind ignorance about what is happening to the world, as unfortunately, many are doomed to do (I urge you to read about Collapse, particularly its thermodynamic and ecological bases). Secondly, I can resolve not to die in a state of blind panic. If I know my death may be tragic, the least I can do to prepare is contemplate the various possibilities of my death, as well as maintain a good meditation practice of letting go: letting go pain; letting go all distractions from the present moment. This is dying well amidst Collapse.

Originally published in the Schemattic digital garden.

Canada, Collapse chats & diaries, DIARIES & MEMOIRS: COUNTRIES A-Z, Reflections

Fresh, harder times ahead

Arguments with my wife. Arguments with myself. Arguments with the past, present and future. But then there was some kind of movement. And here I am. In a new city, fresh; on a new continent, fresh. Sat in a booth in the corner of some kind of conference room. One light broke, the other one shining me up askew. Working on my stuff. I was here a few days ago too, but that was before all the argument. I’m here as if for the first time. Actually talking to people. Having things to say. And whatever I went through earlier, I know there will be much harder times ahead.

Originally published in the Schemattic digital garden

DIARIES & MEMOIRS: COUNTRIES A-Z, South Korea

Do Not Be Ill, If Spring Must Come After All (아프지 마라, 기어이 올 봄이라면)

By Pak Jong-hee

A gentle breeze brushes past, carrying a scent that feels like an old memory. This pungent, slightly fishy aroma that fills my nostrils is the breath of mugwort, rising in clusters as it leans against the spring sunlight. In a corner of the park, on a sun-drenched mound, I see a woman crouched low, picking mugwort. Each time a tender shoot—hardly larger than a baby’s fingertip —is placed in her basket, a warmth like the earth’s own body temperature quietly spreads to my feet.

The woman speaks to me in an excited voice, saying the sky is flawlessly clear today. Looking up, I see that the hue of the sky is indeed different from before. Where the achromatic winter has retreated, has the delicate texture of the pale green grass ever been this vivid? Yet, the brighter the world becomes, the more Spring has always been a precarious guest to me. It is as if I can hear the moans of living things breaking through the stubborn ice of winter.

Spring never arrives for free. The backs of the new shoots tearing through the frozen earth are hunched, and the gestures of the trees squeezing out every drop of their essence to bloom are nothing short of desperate. Whenever I see petals trembling under the lash of a late-frost gale, my heart grows anxious, thinking that such brilliance might actually be a final, frantic struggle bartered for death.

This sense of peril stems from the duality of Spring. On the surface, a hymn of vitality seems to resound, but beneath it, withered grasses and ancient trees—baring their gaunt skeletons—lie scattered like the wreckage of winter. Upon that threshold where warmth and cold intersect, fragile lives cross the boundary between life and death several times a day. To me, Spring has always been a season of pity. Like the late-winter cold that strikes just when you think you’ve arrived, it resembles the seasons of trial that visited me without warning at every turning point in my life.

Spring was just beginning to show its face even at the place where my mother left this world. Perhaps because the void of loss was so deep, I suffered from a severe, aching malaise every Spring. Living with a dry cough throughout the winter, I could only manage to stand up again when the cherry blossoms burst into pink buds, as if tearing their own bodies open. To me, Spring was not a season of vitality but a cold current that I had to swim against with my whole body, year after year.

Looking back, my childhood was also a succession of chilly Springs where I couldn’t even take a single clean breath. Time spent in a village beside a cement factory. Every morning when we opened the door, a thick layer of dust, white as snow, had settled in the yard. The lids of the clay jars, polished to a shine by my mother’s hands, would soon hold their breath under a shroud of gray powder, which would harden like stone after a few days.

Dusting off the particles that settled on each other’s hair was our family’s simplest and warmest kindness in those days. Yet, the fine powder that seeped through that kindness was quietly taking root deep within my mother’s lungs. As a child, I did not know. I did not realize that those hours spent living beneath the factory chimneys were gnawing away at my mother’s breath.

The dry cough that began in her forties became chronic, eventually pinning her to a hospital bed under the name ‘pulmonary edema.’ By the time the environmental lawsuits began, Mother had already passed away. All that remained for me was a Spring illness that resembled her cough and a single scar in my heart that flared up every change of season.

I quietly watch the fingertips of the woman picking mugwort. I try to imagine how long those tender shoots must have endured before pushing up through the hard earth. The vitality of mugwort, erupting through frozen ground, is by no means docile. It is a force of struggle, ultimately heaving the very crust of the earth upward. Like the mugwort that perfects its fragrance even while swaying in the biting wind, perhaps our lives only gain a subtle radiance after passing through the tunnels of ordeal.

The woman suddenly holds out a bag of mugwort toward me as I stand still. With a soft smile, she tells me that if I boil a bowl of soup with some soybean paste, it will be better than any medicine. That smile is as gentle yet sturdy as the pale green shoots that rose after steadfastly enduring all manner of cold.

Returning home with the bag, I fill the kitchen sink with water. As I wash the mugwort several times, bits of dirt and dried leaves float up, and the clear water soon turns a faint green. Dissolving soybean paste in a pot and adding a handful of mugwort, a pungent aroma slowly rises amidst the savory scent. The moment a spoonful of soup enters my mouth, a bitter yet sweet taste lingers on the tip of my tongue.

A sense I had long forgotten awakens. Amidst the rising steam, the memory of sitting on the edge of the wooden porch as a child, blowing on the mugwort soup my mother had boiled for me, comes vividly back to life. Back then, not knowing what this fragrance had endured to rise, I probably just rejoiced that spring had come.

Silently, I set down my spoon and wrap both hands around the bowl where the warmth remains. Then, I step outside again. The wind brushing against my skin is still spicy and cold. But now I know. One must endure this precarious wind for flowers to bloom, and only after passing through this cold does the mugwort truly complete its fragrance.

I lower my mask for a moment and breathe in the air deeply. Leaning my heart into the pungent breath of Spring that seeps deep into my lungs, I whisper softly:

“Do not be ill. If spring must come after all, shouldn’t you cross this season safely?”

If I am still in pain, then this radiant Spring is ultimately nothing more than a season of pain. Today, the green shoots swaying in the breeze appear exceptionally clear. Each of those pale green textures is swaying quietly, yet firmly, as if remembering the freezing seasons they have passed through. Standing before that vitality, I reverently inhale all the pain and endurance dwelling within this fragrance of Spring and this breath of green.