DIARIES & MEMOIRS: COUNTRIES A-Z, Ecology of the absurd, England

Building Silent Haven: Chapter Three

Featured image: ‘Aerial View’ 1996, acrylic on board

In 2000 I found a studio, housed within and named after an old Chocolate Factory, where the plan was to house 100 artists. It was a walk across the park from my flat and near to the allotment! I was creating my little natural world in London! I was the first artist in and my work became freer. I painted, sculpted, crafted, and made clothes, mostly from recycled materials.

‘Red Still Life’ 2000, oil on canvas

I came across a leaflet for a residency at Dorland Mountain Arts colony in California, applied for it and was accepted. Somehow, I made the money to go and so I made drawings of an ambitious painting I wanted to do there. I tentatively bought a huge roll of canvas thinking that I could cut it down when I arrived if it was too big.

In March 2001 I arrived at Dorland and I was shown to where I would be staying for the next month. Wow! The Retreat was sensational. It sat nestled on a remote hillside with fabulous views all around. It was a massive building with a canvas roof and windows which showed the moon coming up at night. The wood burner was the only source of heating and I had never lit a fire in my life. I soon learned and became an expert.


The Retreat

Robert, a permanent resident showed me inside the house and when he got back to the front door, he said “oh, and there is this…” He lifted a pole at the side of the front door and the whole front wooden wall opened out onto a concrete balcony. The amazing thing was, there was a massive drawing board attached to this wall and it was exactly the size of my canvas! Needless to say I didn’t cut it down and I spent the whole month painting outside.

Front wall, living space, and communal dining room

‘Past Life Present’ 2001, oil on canvas

My work had got bigger and bigger over the years, from tiny black and white graphics to this, a massive, colourful oil painting on canvas. It is about a vision I had of me and my relationships to people in a past life as Native Americans. The other people in the painting are from my present life.

I met a beautiful man called Ben at Dorland, who made amazing sculptures in wood. We hung out together throughout the month. I realised later in the month that I had fallen in love with him, but he had a girlfriend so I never told him. Keeping my feelings to myself was hard. When I left Dorland, I got onto the Greyhound bus and began to feel ill. I felt like I was having a heart attack. I was getting up to ask the driver to take me to a hospital when I instinctively pulled out a piece of paper and pencil and started writing. I wrote a 46-verse love poem about Ben on the bus and when I had finished, the pain in my heart had gone.

Dorland was an amazing break from my madness and gave me the motivation and energy for the beginning of a new life.

Ben

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