Every chocolate has been made and every hat
Most syntheses have formed and fallen flat
The only thing not done: a eulogy
And synthesis of us/ecology
Every chocolate has been made and every hat
Most syntheses have formed and fallen flat
The only thing not done: a eulogy
And synthesis of us/ecology
Parents left alone eat leaves
peel their dreams
so big the sun
in their throat
there is still a struggle
a count
a weapon
a garland
let`s go
I will tell what I see
*
we open our doors
the tornado is a locomotive
with debris
we want to help children
from the sky
*
it was incredible
in the basement, we could hear the wind
when we got back up
we were outside
*
all the steam
of life
when it disassembles
is fear
facing the deadline
*
can I sit here
on this gnarled trunk
do you have everything you need
you touched my heart
*
the child draws a sentence from the bowl
it is written:
*
“You have to understand humans,
bury them outside under the magnifying glass of the elders
who doze under the tree and push away our bodies
which get whiter and whiter“
did you desire for this?
that your life
should end like this
in the glory of despair?
did you know that as you soared into the air
that this was your last flight,
your eagle-like wings would weigh
you down?
*
I expect it crossed your hopeless mind
that you as bird
rates less than zero
on the scale of global concern
*
that the pilot
trained in the beauty of death
rates a more grand funeral
than yours
heavy with oil
sinking
in a dark black sea.
I was living in Chester in the early 90’s — the energy of the dance scene coming into its own — when on the television (with only four channels) came the news item about the Panama Oil Slick. The image is still with me today of the Pelican covered in oil, helpless and on their last flight. It struck me that nobody cared for them, but pilots who also fly, are honoured when they die.
Modern poetry is anarchism, because it is a constant negotiation between the individualism of morphemes, syllables and words, confederated upwards for the social good of sentences and poems;
because there are no strict rights and wrongs dictated from on-high (unlike with prose) although the best poems are decent and balanced, by the direct democracy or consensus decisions between their constituent lines;
because modern poetry is utopian, striving towards perfect expression in content and form, without heed of convention;
because it is anti-fascist, welcoming diverse forms in defiance of a metric ethno-state;
because it recognizes no power except its own.